Friday, July 12, 2013

Melodysoup YUMMY Award July 2013 - Chicky Chicky Chook Chook by Cathy MacLennan *LESSON IDEAS*






It feels like I haven't given a YUMMY AWARD! in AGES!  And the truth it that it has been six months, so I am well over due!  This one was especially fun to write because the minute I put my hands on this book I had lots of lesson ideas.

I'm always looking for books that lend themselves to the development of music literacy.  I especially like books that provide a variety of uses for the same book.  Often these books will work with multiple grade levels depended on the simplicity or complexity of my ideas.  In any case, I found this book at TMEA and I've been looking forward to incorporating into my bag of tricks!



 
The Yummy Award for July 2013 goes to

Chicky Chicky Chook Chook by Cathy MacLennan
 

Ideas for Younger Children:

I think that after the children are familiar with the book it would be fun isolate a page of the book and then either play or post a rhythm and ask the children to identify which set of words goes with the rhythm.  For example.  One short except from the book goes like this,
 "Chicky Chicky Chook Chook
Chick Chick Chick,
Chicky Chicky Chook Chook
 Peck Peck Peck."
I could post several  known rhythms like and then ask the students figure out where in the page those rhythms happen.

Wouldn't it be fun to have students write a rhythm we were working with on a small post it note and then place it in the places when that rhythm happens?   I think they would love it! 


We could extend our work by orchestrating our book for various instruments. Each page is composed around a different hard consonant sound.  Perhaps the "Ch" sound could be played on the sand blocks while the hard "k" sound was played on the woodblock.  The possibilities are endless!


Ideas for Older Children:

Wouldn't this be a fun way to approach rhythm dictation? If students were well versed in rhythmic patterns they might enjoy the challenge of figuring out the rhythmic pattern.  It's a new twist on the "what rhythm am I playing?" game.  Students attempting this would need lots of aural discrimination practice under their belt, but I think that they could puzzle it out. 

An extra challenge might be for older children to compose another page for the book.  I think this would be an excellent opportunity to create a class book filled with original compositions that we could then play and orchestrate.

What about melody?!!!  This book has such a wonderful rhythmic pattern that it might be the perfect opportunity to ask older students to take known pitches and compose an original melody.  Imagine this book played as an original composition!!!! 

MY! MY! MY! - This is starting to sound like an entire semester worth of study and it's just 1 book!  - LOVE IT! 

 


Want to see what other books have received a YUMMY Award?  Click HERE!

 


Thursday, July 11, 2013

The Music Teacher Bookshelf - Teaching With Love and Logic


Teaching With Love and Logic by Jim Fay and David Funk
 
I read a whole lot, and most of what I read is for fun.  
I'd much rather go to lectures and seminars and take notes than actually read a professional book, but SOMETIMES the professional book is so indispensable that I really just need to read the book.   THIS is one of those books. 

When I do read professional books, I also like to read books that are beyond music instruction.  You never know when inspiration will strike. 

The big irony about my choice of THIS book is that I have heard more than one Love and Logic trainer say that when it comes to teaching music, art, PE, or doing anything else at school that keeps you from having your own set of 25 students all day long, that there are big chunks of this book that simply can't be applied. 

I will say that it is a little more complicated and If you are a "specials" teacher I would recommend reading this book with your team and when you get to the parts that seem totally impossible to implement, then see if you can come up with something that will approximate the idea AND also work for your team.  

This is a great book if it does nothing more than inform HOW you speak to students.  I would like to suggest that MUCH of the problems I have created in my classroom happened not when a student misbehaved, but rather when I didn't have a response ready that effectively redirected, or diffused the situation.   In any case, it is an excellent read and I highly recommend it.  

Here is just a TINY TINY taste of the book!


Wednesday, July 10, 2013

Melodysoup Video Wednesday! - Mad Hot Ballroom

Today I'm going to take a little trip down memory lane as I share with you the PERFECT movie for a music teacher on summer vacation! One year my district provided the opportunity for several of our music teachers to attend a conference in Dallas organized by MENC that specifically targeted the needs of urban and rural schools. 

It was one of the best conferences I've ever been to and I was sad to see that it was over, but I had decided to extend so that I wouldn't have to drive home tired.  Therefore, I found myself alone in Dallas without any real plans.  I was in luck because the hotel that I was staying at was right next door to the Angelica theater which was the theater in town to play the "artsy" movies.  I wandered over there to stretch my legs and found that I was just in time to catch a movie and decided on a whim that I would take in an "art flick".  Until that point my cinema tastes had never wandered beyond the mainstream and so I was a little bit hesitant to pay good money for a film I had never heard of or at least seen a trailer for. 

So there I was.  I had popcorn in one hand and my drink in the other and I was almost dreading the start of the movie because after I purchased my ticket I saw that this movie was a DOCUMENTARY!  UUGGHH!  I wanted to be entertained, not educated! 

WELL - I was in for a delightful surprise.  Mad Hot Ball Room captivated me!  I laughed, I cried, I all but danced in the aisles of the theater. This movie is a MUST SEE for everyone who has ever known a 5th grader.  This movie is a MUST SEE for every artist who has considered working in a classroom as a resident artist.  This movie is a MUST SEE for everyone.  This movie is a FABULOUS advocate for the power of the arts to motivate children.  It is hopeful, optimistic and encouraging without denying any of the harsh reality that gets in the way of student success.  I LOVE this movie!  I love this movie so much that I have held all of my friends watch it on more than one occasion.  Seriously, just now I decided to watch the trailer before I embedded into this post and it make me laugh and cry and I've seen it at least 10 times..... just not in a couple of years....



I'm sure that many of you have seen it, but since it's summer and all, I think it's time to watch it again.  You can watch it instantly on NETFLIX right now :)

Tuesday, July 9, 2013

Book List - Books By John M. Feierabend

It's time to get back to my first love at Melodysoup and Melodysoup LOVES books! 

These book lists are intended as a resource as you seek to stock your music classroom library.  Share the link to a list you like with your librarian or principal.  Or print one out and put it in your purse so you'll have it the next time you are at a book store.    Include one of the lists in your yearly supply request, or give a copy of the list to your PTA.  On the Book List for Music Teachers Page you can either download the PDF, OR if you are looking for an individual title, you can click on the picture and it will take you directly to the book of your choice on Amazon.com. 

To quote from his website,
"Dr. John Feierabend is considered one of the leading authorities on music and movement development in early childhood. He is a Professor of Music and the Director of the Music Education Division at The Hartt School of the University of Hartford and is a past President of the Organization of American Kodály Educators. Dr. Feierabend makes frequent presentations both in the United States and abroad and is the author of over 70 publications."
 
If you are a music teacher, the opportunity to  attend a workshop or lecture by Dr. Feieraband is one that I hope you'll take advantage of.   His website also has a variety of useful resources.  I hope that you will check it out! FeierabendMusic.org
 
 
I haven't had as much time as I would like to study the methods he has developed, so I am in no way claiming to be an expert in his work.  However, I have attended a couple of quick classes at TMEA and I have been able to incorporate several of his children's books into my teaching because they are grounded in American folk music. 
 
As it turns out several of the songs that he has created books for are songs that are part of the song collection we use as part of Education Through Music called Let's Do it Again! .  In fact, one of the things that I like best about Feierabend and my understanding of his methods is that they seem to be in line with what I have been studying for years with the Richards Institute. 

He is probably most well know for his development of his various music curriculums including First Steps in Music for Infants and Toddlers, First Steps in Music for Preschool and Beyond and Conversational Solfege. 

The books that I am listing today were developed by him as part of his First Steps in Music curriculum. 

I own a few of these titles and use them regularly.  However, this book list is one of which several of the titles are still on my wish list.  You may find that there are books on this list that you are unfamiliar with, but that isn't a problem because each book has a link to a digital recording that can be found online for your reference. 





 

Monday, July 8, 2013

Enroll NOW! - Education Through Music Winter Course! - coming to a city near you!

I am so excited to tell you that it is time to register for this years Education Through Music Winter Course!  If you could use any of these titles to describe yourself;
a music teacher,
a choir director, 
a parent,
a grandparent
a teacher,
an ELL teacher,
a bilingual teacher,
a language arts specialist,
a speech pathologist,
a school administrator,
a school counselor,
a PE teacher,
a physical therapist,
a Sunday School teacher,
a homeschool parent,
a childcare provider

then Education Through Music would be WELL worth your time. 


Education Through Music is a course of study offered by the Richards Institute of Education and Research each school year throughout the country. (Disclaimer: No compensation or discount was received for this recommendation.)

I was first introduced to "ETM" by my very first co-teacher Meredith LeBlanc.  I was a really green first year teacher and she pretty much told me that I HAD to go to ETM.  I was very lucky because that year, we started school on a Wednesday and the first course was on that Friday, so I only had to teach 3 short days without ETM! 
 Since then I have completed 14 years of teaching, I've attended 13 Winter Courses and I've been to 6 Colloquiums (summer study).  I've been blessed to participate in two year of  private consultancy (very very challenging),  and I've gotten to help teach in 2 day camps.  So to say that my teaching has been informed by the work of ETM would be an understatement! I absolutely cannot imagine trying to teach children without ETM!

**This links you to a rather long page with lots of great information, for course locations, scroll to the bottom.**


What to expect from Winter Course
 
Expect to meet friendly people
You will meet lots of welcoming and friendly people! Be sure to wear comfortable shoes and clothes that you can easily move in because we will be singing and moving and playing games.   

Expect to sing.
ETM was first intended as a way to develop music literacy, the primary approach that we use in ETM is singing, so we sing....a lot.... We hope that you will feel comfortable singing with us, even if you don't know how or feel as if you can't.  Don't worry about knowing the songs!  You'll learn them and you'll have fun while you do!  The auditory processing necessary to learn and remember the songs is one of the key skills that we are trying to develop in ourselves and our students, so our reliance on our ears and memory is intentional.   It gets easier with practice!

Music teachers, please know that although this course is open to everyone, you don't have to worry about it being over simplified.  You will find plenty of robust musical challenges to meet your taste, we just feel that the work of ETM is important enough that we should share it with everyone.  For those who wish there is masters credit available and  since this is a music course, we spend time playing our way into what will eventually be complex part singing including ostinato, rounds canons, and choral octavos all using "hand" singing. 

Expect to play!
We play song experience games together that are part of the repertoire for older children.  We play these "big kid" games  to build knowledge among the adults in the class of what real, constructive, intelligent play looks like.  Real play is not passive, chaotic or rough, but intelligent and engaging.  This distinction is an important one within the study of ETM because we believe and neurological studies would suggest that play is synonymous with intelligence.

Expect to focus on all forms of literacy.
We start with music literacy by providing playful practice at inner hearing.  We play "secret song" games. We find rhythmic and melodic events in known songs.  We use song mapping to develop self motivated symbols.  We use "form books" to analysis and read known songs and major works.  We use "tracks for reading" to offer children an opportunity to use a known song to support English language literacy.  We use self motivated symbols and song maps to foster original compositions.

Expect to focus on language development.
Songs are the foundation of everything we do in ETM.  Each "ETM" song was chosen because of the way the words and the melody fit together.  The melodies fit the prosody of the language.  As a result, the song experiences of ETM are always a great choice for those teachers who want to support English language literacy or those working with English Language learners. The language of the song carries meaning!   We work to ensure that especially students working in the early stages of ETM have the opportunity to do what they hear and sing and the same time.

Expect to focus on young children.
Because of our understanding of neurology and child development, we spend a significant amount of time addressing the needs of  babies, toddlers and preschoolers.  We do this by equipping parents and caregivers with a variety of song experience games whose structures are designed to be a  perfect for young children. There are times during class, after we have established what quality play looks that we suspend our "adultness" and take the time to experience and learn the song experience games for young children.  When the schedule and opportunity allows, we do our best to provide a time to observe children during an "ETM" lesson.  Sometimes this means that we arrange for children to attend the course during a given session, other times we make arrangements to have demonstrations take place at a school or daycare center. For those who would like to dedicate an extended time to observe children as they participate in song experience games I would recommend that you attend one of the summer Colloquiums. 

Click the link above for dates, locations and cost for Summer Colloquium! IT'S AWESOME! 

Expect to focus on social and emotional development
Every ETM class offers the opportunity to examine the inevitable and practical realities of fostering the social and emotional needs of our children and students.  We have found that in addition to offering an excellent means of developing musical literacy, the experiences found in ETM are often especially beneficial to the children we care for with the greatest needs. 
During Winter course we have the opportunity to examine how our social and emotional development inform our availability to learning.  We learn to recognize the stages of social and emotional development and how that should inform out teaching in our day to day practice. 

Expect to focus on the brain and how it works.
The Richards Institute is dedicated to ensuring that all the work we do is well founded in neurological research. Part of each class is dedicated to how the brain works as it develops intelligence, memory and motivation.  We will uncover ways to improve all 3! The neurological focus is one of several reasons why movement is such a huge element in any song experience game. 


Whew!  That was a whole bunch of information! 

If this sounds like a lot to you, you are right!  It is!  This is why I have to keep going to back to study more.  In my own experiences as a teacher at a school filled with students considered to be "at-risk", ETM has offered me a life-line.
In classes that would have otherwise descended into chaos, these simple, tried and true, well established tightly structured song experience games have given me a way to reach children that would otherwise be inaccessible and unavailable to learning.
Because of the love my students have to these songs, it is clear to me that ETM teaching is the very best I can offer my students.  Being a general music teacher at a public school,  there are times that I have to teach other things in order to meet my curricular and performance demands, however, it is the song experiences of ETM that my students remember.  It is the songs of ETM that keep my students motivated and learning.  If you decide to attend a Winter Course, or Summer Colloquium please let me know!  I'd love to introduce you to the wonderful folks of ETM!